https://www.60inchcenter.com/home daily 1.0 2025-09-09 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1505430330855-F5D4KUQZ1GIYU4RQJYC8/Screen+Shot+2017-09-14+at+3.34.21+PM.png Home https://www.60inchcenter.com/home/2025/9/8/u-haul-art-fair monthly 0.5 2025-09-09 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/3b7dc7e9-a6a2-4bf4-a300-2b2e72ce49f4/IMG_7593.jpeg Home - U-Haul Art Fair - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/5d3f8bf3-82b0-458e-9bee-ed6a1122037d/IMG_7602.jpeg Home - U-Haul Art Fair - Make it stand out Post Times, Bruce Tapola and Melba Price https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/cfc0b51e-babf-46c2-bd19-b48d9790962a/IMG_7644.jpeg Home - U-Haul Art Fair - Make it stand out Landline, Lucy Black, AUTOBODY Autobody https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/06138f1e-0dd5-4213-b15f-e07a32ebcd4f/IMG_7613.jpeg Home - U-Haul Art Fair - Make it stand out Quantum Academy https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/15731e4a-6b36-4a30-8a15-79f04a69d4c3/IMG_7610.jpeg Home - U-Haul Art Fair - Make it stand out Nothing to See Here, James Greco, https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/a9b4e9b7-7bb4-4ee3-9d1f-cc03db0ef041/IMG_7585%281%29.jpeg Home - U-Haul Art Fair - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/29d6cebd-8775-47e8-9fe2-3a9526fe6567/IMG_7685.jpeg Home - U-Haul Art Fair - Make it stand out Seductionof DMV Proctor, Annabelle Parrish, Mey Gallery https://www.60inchcenter.com/home/maximiliano monthly 0.5 2025-09-07 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1603575305243-VTB2SNC7LW7NLZHRQV8C/maximilliano Home - the briefness of things and multiple forms: An Interview with maximiliano maximiliano, self-portrait test X0901, July/August 2020, digital edit, dimensions variable. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1603575983875-SWRT1R5KFWVU4A5OI53Y/COMMUNION Home - the briefness of things and multiple forms: An Interview with maximiliano maximiliano, GHOSTS & VENUS (installation view), 2018. Two-channel visual poem. Installation view: Littman Gallery, Portland State University, October 4–28, 2018. Photography by Kalaija Mallery. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1603576625604-FH2GD183RLD4WNWHP96X/BLVK Home - the briefness of things and multiple forms: An Interview with maximiliano maximiliano, blvk GVLVHVD (still), 2019. Video, 22:43 min. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1603576812142-MKUMHSWQP5QWIOTKNEYN/ANTIDOTE Home - the briefness of things and multiple forms: An Interview with maximiliano Press Release Image of ANTIDOTE, NAT TURNER PROJECT, exhibition August 28, 2020–January 9, 2020, hosted by c3:initiative. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1603576481436-15MAX08O47J9KMN5C395/COMMUNIONII Home - the briefness of things and multiple forms: An Interview with maximiliano maximiliano, THE COMMUNION OF MAROON SECRET SOCIETIES, LIVES OF PARALLEL TIMES, HOUSECRAFT & POISONING OF THE WATER, TAKING THE AXE AND SWINGING FOR THE NECK., 2019. Visual poem publication, 4 x 3 in. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1603576725203-K4JXSL8QCDTF3U5XUTT9/risexfall Home - the briefness of things and multiple forms: An Interview with maximiliano maximiliano, Jaleesa Johnston, rubén garcía marrufo, rise x fall (still), 2018–present. Performance, dimensions variable. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1603575734662-WVK5X1XMTC32DI3D0LFT/DRWN+CITIES Home - the briefness of things and multiple forms: An Interview with maximiliano maximiliano, DRWN CITIES live performance at Pittsburgh Performance Art Festival, August 26–27, 2017. Photography by Alex Beddell. https://www.60inchcenter.com/home/2020/3/17/frieze-la-the-exclusive-fair-is-not-just-for-the-pleasure-of-collectors monthly 0.5 2020-03-17 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1584468894825-0I35LPSRX98ALJPLX7AF/Screen+Shot+2020-03-17+at+2.06.50+PM.png Home - Frieze LA: The Exclusive Fair Is Not Just For The Pleasure of Collectors Ida Ekblad A ball of Malt and Madame Butterfy , 2019 ©Galerie Max Hetzler https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1584470403453-G6P5BGFQSLL94JH3ZGMO/IMG3 Home - Frieze LA: The Exclusive Fair Is Not Just For The Pleasure of Collectors Ida Ekblad A ball of Malt and Madame Butterfy , 2019 ©Galerie Max Hetzler https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1584469245884-AZC0RH5OFZ56H79HF5I0/IMG5 Home - Frieze LA: The Exclusive Fair Is Not Just For The Pleasure of Collectors Gertrude Abercrombie Doors and Two Cats, 1956, oil on masonite, 8 x 10 inches (unframed) https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1584468612591-1I4KXLSFWABCMF0IC9LB/IMG1 Home - Frieze LA: The Exclusive Fair Is Not Just For The Pleasure of Collectors https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1584469139531-ZRIIODXBUMC0XXN82P14/Screen+Shot+2020-03-17+at+2.07.28+PM.png Home - Frieze LA: The Exclusive Fair Is Not Just For The Pleasure of Collectors Gabriel Rico III Mural - reducción objectiva orquestrada (2016-2021), 2019, 124 × 126 × 8 7/10 inches, Mix of found objects (photo courtesy of Artsy.net) https://www.60inchcenter.com/home/nottotal monthly 0.5 2019-12-27 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1577145680125-BD2DWO3QAJ1AD52FANF9/for+hieroplants.jpg Home - Not Total: Jonathan González, manuel arturo abreu, and Rindon Johnson | PCC Cascade Paragon Arts Gallery manuel arturo abreu, for hierophants, 2019. Digital video, 8:16 minutes. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1577145600368-ZS02TNALL7F19NRLB02H/image-asset.jpeg Home - Not Total: Jonathan González, manuel arturo abreu, and Rindon Johnson | PCC Cascade Paragon Arts Gallery Background: Rindon Johnson, I don’t think your prayers get over your head. No I see nothing. Heal me. To set, to put. Adults always be asking for hands. What one has to do: flowers on the table or other ordinary business. Between sport and lace is a finger. You don’t usually find a soft voice on the side of the road, I’m sorry for my little out burst. I think any of these guys are interchangeable, I think you need to eat a rabbit and then you’ll understand. The shine creates a gap. He heaps me. I’m in over my head. I’m in over my head. I’m in over my head., 2019. Hide, Vaseline, dirt, gravel, dust, shellac, rope, aluminum clips, dimensions variable; Foreground: Rindon Johnson, A trouble in them, 2s019. Hide, Vaseline, dirt, gravel, dust, shellac, rope, aluminum clips, dimensions variable https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1577145262080-6SB8TUWF6WX4DQ6JPV57/Installation+View.jpg Home - Not Total: Jonathan González, manuel arturo abreu, and Rindon Johnson | PCC Cascade Paragon Arts Gallery Installation View, Not Total, Cascade Paragon Gallery, November 8–December 14, 2019 https://www.60inchcenter.com/home/menumkguth monthly 0.5 2019-11-09 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1573325565934-E9QH2YR0I6U5KJ62SCT1/Installation+view+1_MK+Guth+Menu_with+scale.jpg Home - MK Guth: Menu | Cristin Tierney Gallery (NYC) Installation view of MK Guth: Menu. Cristin Tierney Gallery, New York. September 13 - October 26, 2019. Photo by John Muggenborg. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1573325921384-M8AN1X2KVBKQO981LDZZ/CT-6636_MK+Guth_Dinner+for+Getting+Over+It+Or+At+Least+Through+It_2019.jpg Home - MK Guth: Menu | Cristin Tierney Gallery (NYC) MK Guth, Dinner for Getting Over It Or At Least Through It, 2019. perfect bound book, ceramic bowl, bound burn pages, matches. book: 14 1/2 x 9 1/4 inches. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1573325807082-YOYE9A5NYEXL2J6BIGNC/CT-6637_MK+Guth_Dinner+to+Tell+a+Joke_2019.jpg Home - MK Guth: Menu | Cristin Tierney Gallery (NYC) MK Guth, Dinner to Tell a Joke, 2019. perfect bound book, 6 silver fall zero absorption porcelain cups with holding chips. book: 13 1/4 x 9 1/4 inches. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1573332366883-D3KFX0TGTNJPCEM17C8F/77e3e5600c15873a028889b52e25b282.jpeg Home - MK Guth: Menu | Cristin Tierney Gallery (NYC) Installation view of MK Guth: Menu, 2019. Cristin Tierney Gallery, New York. Photo by John Muggenborg. https://www.60inchcenter.com/home/2019/10/27/spotlight-on-pals-inside-portlands-outsider-art-studio monthly 0.5 2019-10-27 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1572215109561-ZG11024LIXCP72T08UDU/L1030987.jpg Home - Spotlight on PALS: Inside Portland’s “Outsider” Art Studio https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1572215035769-S5V8Z3VBGO8WC757EVHJ/DSCF9577.jpg Home - Spotlight on PALS: Inside Portland’s “Outsider” Art Studio https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1572215144595-V8DEXZB79046XKMZM4JF/DSCF9273.jpg Home - Spotlight on PALS: Inside Portland’s “Outsider” Art Studio https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1572215192543-63YZU7LSADH6LO0UL463/L1040265.jpg Home - Spotlight on PALS: Inside Portland’s “Outsider” Art Studio https://www.60inchcenter.com/home/mobile-projection-unit monthly 0.5 2019-10-23 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1571860003783-Z6DP3V0289VOJYXUOBYF/image6.jpeg Home - Mobile Projection Unit: A Conversation with Sarah Turner and Nanda D’Agostino Sarah Turner, Nanda D'Agostino, and Hilary Tsai collaboration with Open School North, NEO | MYTHOS, 2019, Outdoor mapping projections https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1571860323253-Q1T0CVTVCQZ6JFWBXXD6/image2.jpeg Home - Mobile Projection Unit: A Conversation with Sarah Turner and Nanda D’Agostino Sarah Turner, Nanda D'Agostino, and Hilary Tsai collaboration with Open School North, NEO | MYTHOS, 2019, Outdoor mapping projections https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1571860247600-2IV1PN3XFGZO9IZ2Q90X/image3.jpeg Home - Mobile Projection Unit: A Conversation with Sarah Turner and Nanda D’Agostino Sarah Turner, Nanda D'Agostino, and Hilary Tsai collaboration with Open School North, NEO | MYTHOS, 2019, Outdoor mapping projections https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1571860488984-JZQCPRS67YTHH86ONSU9/image8.jpeg Home - Mobile Projection Unit: A Conversation with Sarah Turner and Nanda D’Agostino Sarah Turner, Nanda D'Agostino, and Hilary Tsai collaboration with Open School North, NEO | MYTHOS, 2019, Outdoor mapping projections https://www.60inchcenter.com/home/portofportland monthly 0.5 2019-10-23 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1555961899356-RT14JSUZ8HBPE34OJM4T/Image+1+SherkinIslandVII75.jpg Home - Curating the Port of Portland: An Interview with Wendy Given Amory Abott, Sherkin Island VII, 2018, Charcoal on Stonehenge, 36 x 26 inches https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1555961952969-1KDV64WBVB5PA0SIU5R5/Image+2+aurora-wide2.jpg Home - Curating the Port of Portland: An Interview with Wendy Given Installation View, “Portaurora”, Sticky Co., 2019. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1555961559899-73NZ1VNJZ9NP9YH6TRW6/wendy5.jpg Home - Curating the Port of Portland: An Interview with Wendy Given https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1555961724252-SX8RN3LDXPM2V99WE13O/Image+3+GG7_1865.jpg Home - Curating the Port of Portland: An Interview with Wendy Given Installation view, “More Education,” Jeremy Okai Davis, 2019 https://www.60inchcenter.com/home/2019/3/29/immaterial-an-interview-with-emily-endo monthly 0.5 2019-03-29 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1553894615368-5Z8NFND7GOBTPU6CAB6S/Endo-Immaterial-DSC_7048-HDR.jpg Home - Immaterial: An interview with Emily Endo https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1553894402703-XGZIBL5NWU0S6Q0KSFF1/mountains.jpg Home - Immaterial: An interview with Emily Endo https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1553893104065-6MGO8SCL5E3CXMZIVWB5/Endo-Immaterial-DSC_7009.jpg Home - Immaterial: An interview with Emily Endo https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1553893886040-VH2MQX7CNTXEBON8Z34Y/singingshell.png Home - Immaterial: An interview with Emily Endo https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1553893534766-1AYEV5PHL2H8U6Q68AIE/Endo-Immaterial-DSC_7017.jpg Home - Immaterial: An interview with Emily Endo https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1553893025717-P8FUTFIFECCSTLJOXOBS/Endo-Immaterial-DSC_7028.jpg Home - Immaterial: An interview with Emily Endo https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1553895672490-GZ3LAJGD57XKWOXO4ZKS/image-asset.jpeg Home - Immaterial: An interview with Emily Endo https://www.60inchcenter.com/home/falloutdogs monthly 0.5 2019-01-29 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1548797745210-Q0MU6IAY8APELNX3T9FF/Doggy-in-Zalissia-1200x675.jpg Home - Fallout Dogs: An Interview with Julia Oldham https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1548797838118-8Z1XNCPMGQGY1JQHW6AT/red-forest-1200x675.jpg Home - Fallout Dogs: An Interview with Julia Oldham https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1548797698804-9WBIQV68I0TI9JG10QNF/doggy-in-building-in-Zalissia-1-1200x675.jpg Home - Fallout Dogs: An Interview with Julia Oldham https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1548797938709-VOVQ6MRBETHHJFNTBDWD/chappa001-1200x675.jpg Home - Fallout Dogs: An Interview with Julia Oldham https://www.60inchcenter.com/home/2018/10/28/francesca-capone-think-of-seashells-at-nationale monthly 0.5 2018-10-28 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540755280435-O5ICP0968U8DQ6ORGC9N/FC18.SAFETY+KNOT+2.1000.jpg Home - Francesca Capone: Think of Seashells at Nationale https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540755144665-TY5CK1P7GLMBAW6OTPQU/FC18.1.installSE.1000.jpg Home - Francesca Capone: Think of Seashells at Nationale https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540755097532-FQCONNY6ZN855Z5GM6ZE/FC18.mystery.knot.crop.1000.jpg Home - Francesca Capone: Think of Seashells at Nationale https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540755068776-PWD9MNTDKA3QOZWYW0C6/FC18.5.installW.1000.jpg Home - Francesca Capone: Think of Seashells at Nationale https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540755120790-ONJKMLL81FPHPH9O5Q2R/FC18.scallop.1000.jpg Home - Francesca Capone: Think of Seashells at Nationale https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540755419521-UU8XD79S7ZAJAWSFNWNB/CF18.WOVEN_PLACES.1000.jpg Home - Francesca Capone: Think of Seashells at Nationale https://www.60inchcenter.com/home/landreland monthly 0.5 2018-10-23 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540318497914-LH3G17JCYENX5Z7027P7/Amy+Stephens%2C+Land+Reland%2C+Portland_2.jpg Home - Land | Reland: An Interview with Amy Stephens Land | Reland [Portland] Installation view. Courtesy of the artist and Upfor Gallery. Photography by Mario Gallucci. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540320753067-BYXYZX8XY3WX2Q0B08D1/Amy+Stephens%2C+Land+Reland%2C+Portland_11.jpg Home - Land | Reland: An Interview with Amy Stephens Land | Reland [Portland] Installation view. Courtesy of the artist and Upfor Gallery. Photography by Mario Gallucci. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540319253863-9VPJE5CY7MCH1BP4BAUS/image-asset.png Home - Land | Reland: An Interview with Amy Stephens Land | Reland [London] Installation view. Courtesy of the artist and William Benington Gallery. Photography by Corey Anderson. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1540319720555-NFARIJZU9PXYDMNVVRAI/Amy+Stephens%2C+The+Long+Climb%2C+2018.jpg Home - Land | Reland: An Interview with Amy Stephens The Climb, 2018. Courtesy of the artist and Upfor Gallery. Photography by Mario Gallucci. https://www.60inchcenter.com/home/theorchards monthly 0.5 2018-10-13 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1539453323005-31P3OOWU7URA324K1ZUG/IMG_0294.JPG Home - Growth and Opening at The Orchards: New Work by Lisa Radon Lisa Radon. Digital rendering of the Immaterial Gate, 2018 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1539453610737-OGNSKR3IENV6VNO5HV4P/gate-sundown.jpg Home - Growth and Opening at The Orchards: New Work by Lisa Radon Lisa Radon. The Gate, 2018 https://www.60inchcenter.com/home/2018/7/25/privateplaces monthly 0.5 2018-07-26 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1532565354936-4UPQQVY57TWQCIR3R63D/Apr2018_pp_re-buffer-act1-KB-2.jpg Home - (re)buffer at Private Places https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1532565816576-RGIEW95B6JN66U1JHNJ8/IMG_2619%281%29.JPG Home - (re)buffer at Private Places https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1532565529701-O3UETOQ87SSZ0MW7CIAT/May2018_pp_re-buffer-act2_AA-4.jpg Home - (re)buffer at Private Places https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1532565995716-MHKHZM2QQZ1KSVFQQ3OM/IMG_2613%281%29.JPG Home - (re)buffer at Private Places https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1532632992039-E6SE27V7FFMOUUJ33FH6/IMG_2655.JPG Home - (re)buffer at Private Places https://www.60inchcenter.com/home/2018/5/23/finding-truth-in-the-works-of-joshua-west-smith monthly 0.5 2018-05-28 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1527127715848-FF5ZNE8UFX6MEWGLTHLE/image-asset.jpeg Home - Finding Truth in the Works of Joshua West Smith my back to my mind's eye 4, 2018, archival pigment print https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1527127587910-QYPO6UIP2QO4CEAN0L7B/image-asset.jpeg Home - Finding Truth in the Works of Joshua West Smith Prussian blue and the soft satellite, 2018, rocks, steel, plastic, brass bells https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1527127233553-TFN18Z90HQ3QKEYT81NQ/image-asset.jpeg Home - Finding Truth in the Works of Joshua West Smith Every truth blocks another, exhibition view, 2018 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1527127443157-ASWN7D6CSRMC6GTKUBJP/image-asset.jpeg Home - Finding Truth in the Works of Joshua West Smith untitled (walnut screen 4), 2018, wood, brass, rock https://www.60inchcenter.com/home/2018/5/10/melanie-stevens-in-medias-rest-at-stumptown monthly 0.5 2018-05-10 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1525976660368-TGILNA7OV7JEDSBNMBJ4/image-asset.jpeg Home - Melanie Stevens: in medias res(t) at Stumptown https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1525977622857-FBS2J0GXD21TWQ8EOW9K/image-asset.jpeg Home - Melanie Stevens: in medias res(t) at Stumptown https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1525976753512-NER91DUM5F95EXLXE02T/image-asset.jpeg Home - Melanie Stevens: in medias res(t) at Stumptown https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1525976581762-1FMO0V31NN0RXF4TVLIA/image-asset.jpeg Home - Melanie Stevens: in medias res(t) at Stumptown https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1525976837962-QJLISDV21Z8CWRQE4RMQ/image-asset.jpeg Home - Melanie Stevens: in medias res(t) at Stumptown https://www.60inchcenter.com/home/2018/4/24/a-dialectic-nature-ryan-bubnis-and-jeff-pfeil-at-stephanie-chefas-projects monthly 0.5 2018-04-24 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1524606554609-135FI9LPVATE0U8D4C24/1_StoriesWeTell_High.jpg Home - A Dialectic Nature: Ryan Bubnis and Jeff Pfeil at Stephanie Chefas Projects THE STORIES WE TELL OURSELVES acrylic, ink, and latex on canvas, 36 x 24 inches. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1524607236575-X8GK3DC3ER7YIL59EHUV/PaintStirsGlasses_HighLow.jpg Home - A Dialectic Nature: Ryan Bubnis and Jeff Pfeil at Stephanie Chefas Projects PAINT STIR PEOPLE #3 GLASSES acrylic, ink, and latex on wood, 10 x 11 inches https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1524608411833-TA1EIX1WTOJKMQAE17M0/Rhizome03-001.jpg Home - A Dialectic Nature: Ryan Bubnis and Jeff Pfeil at Stephanie Chefas Projects RHIZOME III acrylic, flashe, and spray paint on canvas, 20 x 16 inches, https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1524606870450-CPHUJZ7KACX5VJXKXXSN/4_CameFromTheGround_High.jpg Home - A Dialectic Nature: Ryan Bubnis and Jeff Pfeil at Stephanie Chefas Projects THEY CAME FROM GROUND UP acrylic, ink, and latex on wood, 20 x 16 inches https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1524607622973-S3ZMDMBK1MMW6TM3ZNBC/Rhizome01-001.jpg Home - A Dialectic Nature: Ryan Bubnis and Jeff Pfeil at Stephanie Chefas Projects RHIZOME I acrylic, flashe, and spray paint on canvas, 20 x 16 inches https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1524610090903-A37Y131XACP9R5KZFK2R/Rhizome04-001.jpg Home - A Dialectic Nature: Ryan Bubnis and Jeff Pfeil at Stephanie Chefas Projects RHIZOME IV acrylic, flashe, and spray paint on canvas, 20 x 16 inches https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1524607042667-ICQG9XQNQQ772WE5TWH1/9_Horn_High.jpg Home - A Dialectic Nature: Ryan Bubnis and Jeff Pfeil at Stephanie Chefas Projects BLOW THE HORN acrylic, ink, and latex on Rives BFK, 8 x 6 inches (12 x 10 inches framed). https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1524607975399-TF0KA5F27M0GGX0DNG51/Rhizome02-001.jpg Home - A Dialectic Nature: Ryan Bubnis and Jeff Pfeil at Stephanie Chefas Projects RHIZOME II acrylic, flashe, and spray paint on canvas, 20 x 16 inches https://www.60inchcenter.com/home/2018/2/13/constructing-marvels-breaking-barriers-we-at-the-portland-art-museum monthly 0.5 2018-02-13 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1518559059107-X0ZPD0WR5M9ZF5Q04IGN/Screen+Shot+2018-02-13+at+12.53.59+PM.png Home - Constructing Marvels, Breaking Barriers: We. at the Portland Art Museum A view of the stage constructed by Johanson and Jackson being tested by Lily Wilson, a friend of the author’s. Lawrence Oliver’s “A Flower Tree”, 2013, constructed of paper, paint, packing tape, bamboo, and hot glue, also seen. https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1518559552782-IQ2FMPKJRB3X5TSVAO2E/Screen+Shot+2018-02-13+at+12.54.51+PM.png Home - Constructing Marvels, Breaking Barriers: We. at the Portland Art Museum Dawn Westover, “Ivanka Trump” “Melania Trump” and “Tiffany Trump”, 2017, watercolor pencil on paper https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1518559241996-QF00MA4IADH18N6RRC4F/Screen+Shot+2018-02-13+at+12.54.18+PM.png Home - Constructing Marvels, Breaking Barriers: We. at the Portland Art Museum Perry Johnson, “Trump”, 2017, Acrylic on canvas. Ricky Bearghost, “Untitled”, 2016 fiber, ceramic & plastic beads, found objects https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1518559157961-307I0F5NVG5A1S5YCOOC/Screen+Shot+2018-02-13+at+12.54.09+PM.png Home - Constructing Marvels, Breaking Barriers: We. at the Portland Art Museum Elmeator Morton, “My Mom When She Had A Black Car”, 2015, acrylic on canvas board https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1518555476076-RGQA0EIHJ9WLZ75VH31R/Screen+Shot+2018-02-13+at+12.53.26+PM.png Home - Constructing Marvels, Breaking Barriers: We. at the Portland Art Museum https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1518559472681-4MCPYHBUIS3JRD73XLQV/Screen+Shot+2018-02-13+at+12.54.28+PM.png Home - Constructing Marvels, Breaking Barriers: We. at the Portland Art Museum Kurt Fisk, “The Planet of the Sea Monkey Fishes”, 1978-1978, ink on crescent board. https://www.60inchcenter.com/home/2018/1/29/kings-mouthwayne-coyne monthly 0.5 2018-01-30 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1517267456359-SCURUEFRLN12PL1CS3XJ/pnca_f096475b-16c6-4744-903b-b7f9b23fe639_medium.jpg Home - King's Mouth: Wayne Coyne Representation online is rapidly becoming an essential consideration for all forms of artistic expression. The ecosystem of art is evolving, and artists are becoming increasingly interdisciplinary by necessity and design. Rather than record sales, it is creative merchandise, unique live performances, and collaborations which afford musicians the ability to make music a career. Rihanna has a line of makeup, Ryan Trecartin has videos that can be viewed online and in galleries, Oprah may run for president, Tupac can still perform live as a hologram, and Laika has an exhibition at the Portland Art Museum. In order to preserve the autonomy of an idea, artists must contemplate art as experience, as well as consider the representation of that work across a variety of platforms. As frontman for the Flaming Lips, Wayne Coyne is part musician, part creative director, and part object maker. The Flaming Lips are known for their elaborate stage setups, costumes, and unusual merchandise. Visuals are inextricable from their music and have been a part of the band’s presentation for many years. A recurring theme in Coyne’s work is to create situations that include the audience/viewer in the experience. I attended a Flaming Lips show where he performed in a giant translucent bubble and invited many audience members to wear rubber alien masks and dance onstage while the band played. The experience felt more like an inclusive celebration than a performance. This approach to creating situations is clearly evident in King’s Mouth, a multimedia installation and collection of drawings/paintings by Wayne Coyne, on view at PNCA’s 511 Gallery from November 2, 2017 through January 6, 2018. Entering the exhibition I was immediately face to face with a floor to ceiling reflective chrome head. Intriguing sounds and flickering lights emitted from inside the open mouth of the Moai-god-like structure, its bright pink tongue rolled out like a red carpet. I wanted to crawl across the tongue to see what was inside, however it was already crowded with people lying on their backs, so I decided to wait a moment for my turn to be eaten. Meanwhile, I perused the 11 brightly colored drawings displayed on the walls of the gallery, each with an accompanying piece of text. Moving from piece to piece was like reading a beautifully illustrated graphic novel, with the writing style reminiscent of both children’s story books and song lyrics. The story details the life of a gargantuan magical king, from his birth, with universes and thunderstorms descending to become part of his head and mind, to his heroic death holding back an avalanche while saving the world’s last rainbow. Finally, the dead king’s tiny subjects cut off his head, carry it in a “mega funeral parade,” and dip the head in steel, its mouth preserved forever open. The story is the quintessential hero’s journey with plenty of room left for interpretation. One key theme that resonated with me was the great power that exists in the meeting point between polarized emotional extremes. The funeral party is described as “happy” and “sad,” and the open mouth of the dead king is described as both “laughing” or “screaming”. It reminded me of the times in life where I have laugh-cried or cry-laughed. It is a state of collapsed duality where the parables of peaceful warriors and innocent wise people often find their meanings. Equipped with the knowledge that I was crawling inside the head of the giant king to witness his vision of “outer space and all associated regions,” I returned to the central installation. After kicking off my shoes, crawling on all fours across the giant tongue, and passing through an archway of teeth, I arrived in the dark mouth chamber. Lying in a circle of molars on a spongy tongue mattress, I found myself fully absorbed in many concentric strings of led lights flickering in patterns. At first there was a minimal and rapid pulsing of sound and lights which moved in unison like a groovy heart rate monitor. Suddenly beautiful choral sounds were layered on top of the ‘heartbeat,’ and the lights became more complex, flickering downward in raindrop-like formations. My dominant thought was that this was so rad! This was everything and nothing at the same time! I also found myself imagining angels as particulates in space and luminescent fairy dust showers. After a short time absorbing the audio/visual stimulus, I noticed a large convex security mirror at the apex of the mouth chamber. The reflection of moving lights in the spherical mirror looked like the contracting and expanding ligaments of an iris. Hypnotized by the reflections in the mirror dancing like kaleidoscopic mandalas, I asked myself- “is this a mirror, an eye, a brain, sacred geometry, outer space, or all of the above? Is this what being born or dying is like?” The interior of the installation creates a kind of synesthesia, where sound and light perform a unified choreography. The dead king’s visions bear signs and symbols of an alive thing which moves and makes sounds. Something magical and physiological happens. It’s like our biological hardware and software are being activated in order to synthesize the cogito argument with the lightning bolt that animated Dr.Frankenstein’s Adam. The New York Times quoted Coyne as saying “I’m looking forward to the day when music is a liquid they pour into your head.” The installation portion of King’s Mouth is a being we encounter as alive in our minds. What happens inside the installation is an experience of combined light and sound, for which the viewer’s head must be present IRL. It is impossible to completely capture the experience in a photo or video. The drawings and their accompanying pieces of writing detail the psychedelic backstory of the virtual king. The exhibition as a whole is held together by the fantastic fable, while the individual pieces are equally effective in fleshing out and animating the narrative. Each individual drawing looks like an album cover and is full of detail and texture. As a group the drawings are installed to be read from left to right like a comic book or film strip. The installation is the animatronic soul of the king. An aspect of the exhibition that is a physical event you have to be there for, immune to digitization. Rather than virtual reality, this is a virtual being born of our perception. After all, what are humans but exquisite machines; woven, animated, and inspired by electromagnetic light? For more information on PNCA's Center for Contemporary Art & Culture and the 511 Gallery, click here. Image courtesy of PNCA's Center for Contemporary Art & Culture https://www.60inchcenter.com/home/sundials monthly 0.5 2017-11-18 https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1510948194024-490LNMXYGLUAMJP5EA4B/image-asset.png Home - Evan La Londe: Sundials and the Telling of an Immaterial Time https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1510948132498-WZZR8UC9DF3R2V8BN7I3/image-asset.png Home - Evan La Londe: Sundials and the Telling of an Immaterial Time https://images.squarespace-cdn.com/content/v1/593c5f8946c3c4114776dfd8/1510948263190-EMA95BUUALRKFBNIURQR/image-asset.png Home - Evan La Londe: Sundials and the Telling of an Immaterial Time https://www.60inchcenter.com/home/2017/11/4/making-noise-wendy-red-star monthly 0.5 2017-11-18 https://www.60inchcenter.com/home/2017/10/4/the-binds-that-tie-bunny-at-tba-2017 monthly 0.5 2017-11-18 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